Movement: Renaissance (Late, Mannerism)
Theme: New Testament
Technique: Oil on fiberboard
Museum: Basilica dei Santi XII Apostoli
Location: Rome, Italy
Size: 89 x 67 cm,
Notes: Salviati brought Roman artistic models to Florence without significant modifications, an example being the Raising of Lazarus. This work clarifies how Salviati displayed up-to-date Roman artistic values in a sophisticated Florentine context on the small scale of the vertical easel painting. It is basically dominated by the muscular nude of Lazarus whose detached index finger indicates recent death. The crowded composition is punctuated by a vertical caesura in the centre. There are obvious quotations from Michelangelo (the Libyan Sibyl from the Sistine Chapel ceiling is used for one of the bystanders near Christ), from Raphael) the woman in the lower left foreground from the Vatican Transfiguration), and there are also quotations from Sebastiano del Piombo and Polidoro.
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Salviati, Cecchino del
Triumph of Furius Camillus
Date: 1545 Movement: Renaissance (Late, Mannerism) Theme: History Technique: Fresco
Salviati, Cecchino del
Christ Carrying the Cross
Date: 1540s Movement: Renaissance (Late, Mannerism) Theme: New Testament Technique: Oil on fiberboard
Salviati, Cecchino del
Lamentation
Date: not dated Movement: Renaissance (Late, Mannerism) Theme: New Testament Technique: Oil on canvas
Calvaert, Denis
Holy Family with the Infant Saint John the Baptist
Date: 1580/85 Movement: Renaissance (Late, Mannerism) Theme: New Testament Technique: Mixed technique
Salviati, Giuseppe
Presentation of Mary in the Temple
Date: 1548-50 Movement: Renaissance (Late, Mannerism) Theme: Saints Technique: Oil on canvas
Hillard, Nicholas
Unknown Man
Date: 1574 Movement: Renaissance (Late, Mannerism) Theme: Portrait Technique: Watercolour
Broederlam, Melchior
Presentation in the Temple
Date: 1349-99 Movement: Medieval & Gothic Art Theme: New Testament Technique: Tempera
Titian
The Scourging of Christ
Date: c. 1560 Movement: Renaissance (High Italian, "Cinquecento") Theme: New Testament Technique: Oil on canvas
Conca, Sebastiano
Christ and the Woman taken in Adultery (Let he who is without sin cast the first stone)
Date: 1741 Movement: Baroque Theme: New Testament Technique: Oil on canvas
Bugiardini, Giuliano
Madonna with Child and St. John
Date: not dated Movement: Renaissance (High Italian, "Cinquecento") Theme: Saints Technique: Oil on fiberboard
