Movement: Romanticism
Theme: History
Technique: Oil on canvas
Museum: Musée du Louvre
Location: Paris, France
Description:
Dimensions: 260 x 325 cm
Liberty Leading the People (French: La Liberté guidant le peuple) is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled Charles X. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the tricolore flag of the French Revolution in one hand and brandishing a bayonetted musket with the other. This is perhaps Delacroix's best-known painting, having carved its own niche in popular culture.
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. He painted his work in the autumn of 1830. In a letter to his brother dated 12 October, he wrote: "My bad mood is vanishing thanks to hard work. I’ve embarked on a modern subject — a barricade. And if I haven’t fought for my country at least I’ll paint for her." The painting was first exhibited at the official Salon of May 1831.
Delacroix depicted Liberty, personified by Marianne, symbol of the nation, as both an allegorical goddess-figure and a robust woman of the people, an approach that contemporary critics denounced as "ignoble". The mound of corpses acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. The fighters are from a mixture of social classes, ranging from the upper classes represented by the young man in a top hat, to the revolutionary middle class or (bourgeoisie), as exemplified by the boy holding pistols (who may have been the inspiration for the character Gavroche in Victor Hugo's Les Misérables). What they have in common is the fierceness and determination in their eyes.
(wikipedia)
Read the full description Liberty Leading the People (French: La Liberté guidant le peuple) is a painting by Eugène Delacroix commemorating the July Revolution of 1830, which toppled Charles X. A woman personifying Liberty leads the people forward over the bodies of the fallen, holding the tricolore flag of the French Revolution in one hand and brandishing a bayonetted musket with the other. This is perhaps Delacroix's best-known painting, having carved its own niche in popular culture.
By the time Delacroix painted Liberty Leading the People, he was already the acknowledged leader of the Romantic school in French painting. He painted his work in the autumn of 1830. In a letter to his brother dated 12 October, he wrote: "My bad mood is vanishing thanks to hard work. I’ve embarked on a modern subject — a barricade. And if I haven’t fought for my country at least I’ll paint for her." The painting was first exhibited at the official Salon of May 1831.
Delacroix depicted Liberty, personified by Marianne, symbol of the nation, as both an allegorical goddess-figure and a robust woman of the people, an approach that contemporary critics denounced as "ignoble". The mound of corpses acts as a kind of pedestal from which Liberty strides, barefoot and bare-breasted, out of the canvas and into the space of the viewer. The fighters are from a mixture of social classes, ranging from the upper classes represented by the young man in a top hat, to the revolutionary middle class or (bourgeoisie), as exemplified by the boy holding pistols (who may have been the inspiration for the character Gavroche in Victor Hugo's Les Misérables). What they have in common is the fierceness and determination in their eyes.
(wikipedia)
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