Movement: Conceptual art
Theme: Body
Technique: Other/Unknown technique
Museum: Private collection
Location: No info
Description:
video, 5:10 min, color, sound
Kobolds' Gesänge is a starkly reductive and hypnotic work, structured around a single charged image. Vom Bruch's torso is inscribed with a rotating communications satellite, creating a composite image that metaphorically describes a collapse of the private and public space of mass media. This spectacle of technology imposed on the human body is accompanied by a haunting soundtrack of traditional songs from Ethiopia. Ultimately, vom Bruch turns his back on the camera, communicating with fundamental body language. (Music: Der Hamar Sudathiopien)
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Bruch, Klaus vom
Das Propellerband (Propeller Tape)
Date: 1979 Movement: Conceptual art Theme: History Technique: Other/Unknown
Bruch, Klaus vom
"Das Schleyerband" (The Schleyer-Tape)
Date: 1977-78 Movement: Conceptual art Theme: History Technique: Other/Unknown
Bruch, Klaus vom
Das Duracellband (The Duracell Tape)
Date: 1980 Movement: Conceptual art Theme: History Technique: Other/Unknown
Weiner, Lawrence
Shot To Hell
Date: 1996 Movement: Conceptual art Theme: Abstract Technique: Mixed technique
Cantor, Mircea
Diamond Corn
Date: 2005 Movement: Conceptual art Theme: Other/Unknown Technique: Other/Unknown
Bön, Nu'a
Tokio 2008 Thangka numérique
Date: 2008 Movement: Conceptual art Theme: Architecture Technique: Mixed technique
Szabó, Anett
Dia De Los Muertos
Date: Movement: Art Now / Recent Theme: Body Technique: Other/Unknown
Zorach, William
Embrace
Date: ca. 1933 Movement: American Modernism Theme: Body Technique: Sculpture
Klimt, Gustav
Portrait of a Lady (unfinished)
Date: 1917-1918 Movement: Secession Theme: Portrait Technique: Other/Unknown
Baditz, Ottó
In a Paris Salon
Date: Not dated Movement: Academic Art Theme: Genre Technique: Other/Unknown
Kovács, Lola
Saint John the Baptist
Date: 2002 Movement: Art Now / Recent Theme: New Testament Technique: Oil on canvas
