As a pupil of János Vaszary and Viktor Olgyay at the BudaPEST Academy of Fine Arts, he received painterly and graphic insipations alike. Mainly a landscapist, he also pained original Neo-Classicist still lifes and ineriors in the latter half of the 1920s. His landscapes display kinship with the Constructivist approach to form, hallmarded later by the names of JenÅ‘ Gadányi and JenÅ‘ Barcsay, but his primary and profound experience of nature could never be subdued by rational contruction. His works inspired at a time by Szentendre are masculienly concise and lyrical at the same time. In 1980, a commemorativ exhibition of his lifework was staged by the Hungarian National Gallery.
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Bene, Géza
Self-portrait
Date: 1921 Movement: Constructivism Theme: Self Portrait Technique: Mixed technique
Bene, Géza
Form in space
Date: 1959 Movement: Constructivism Theme: Abstract Technique: Oil on wood
Bene, Géza
Still Life with a red teapot
Date: 1929 Movement: Constructivism Theme: Still Life Technique: Oil on canvas
Bene, Géza
Still Life with tennis racket
Date: 1930 Movement: Constructivism Theme: Still Life Technique: Tempera
Bene, Géza
Self-portrait
Date: Not dated Movement: Other/Unknown Theme: Self Portrait Technique: Pen and ink
Bene, Géza
Self-portrait
Date: 1942 Movement: Other/Unknown Theme: Self Portrait Technique: Oil on fiberboard
Bene, Géza
Still Life with perspectives
Date: 1929 Movement: Constructivism Theme: Still Life Technique: Tempera
Bene, Géza
The artist's wife
Date: 1933 Movement: Constructivism Theme: Portrait Technique: Mixed technique
