About the artist:
Wife and workmate of Imre Ámos. Her painting was affected first by Ámos, but in the late 1930s she finally found her own, ironically witty Surrealist style. She was an apprentice of Vaszary at the college she attended between 1932 and 1936, and was a student when she and Ámos set up their exhibition in the Ernst Museum in 1935. Her art elvolved after 1945; her payful, personifying symbolism can be associated with the style of Lajos Gulácsy.
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Anna, Margit
Garden of Feverish Souls
Date: 1934 Movement: Surrealism Theme: Allegory Technique: Tempera
Anna, Margit
Beginning of the End
Date: 1989-90 Movement: Surrealism Theme: Allegory Technique: Oil on canvas
Anna, Margit
Self-portrait in Bathing Suit
Date: 1939 Movement: Surrealism Theme: Self Portrait Technique: Tempera
Anna, Margit
Boy in a Red Cap
Date: c. 1967 Movement: Surrealism Theme: Portrait Technique: Oil on canvas
Anna, Margit
Self-portrait
Date: 1937 Movement: Surrealism Theme: Self Portrait Technique: Mixed technique
